Once again thanks for looking at the site and see you in 2012.

Best Wishes

Liv

Eva Stenram, ‘pornography/forest_pic_3′ 2004-7 (Digital c-type, 11.8 x 17.7cm)

.

.

.

Sharon Green, ‘Untitled’ 2004, (c-type photograph, 100cm x 100cm)

.

.

.

Stephen Danzig, ‘Untitled’ 2010 (C type Lambda print – 900 x 700 mm)

.

.

.

Emily Keegin, ‘Boy’ 2009 (c-type photograph 60 x 50in)

.

.

.

Natalie Martin, ‘Assumption V1′ 2010 (Acrylic on canvas, 23 x 30cm)

.

.

.

Sue Barnes, ‘The Girls’, 2009 (Acrylic on board, 70cm x 60cm)

.

.

.

Roz Cran, ‘Interview (pig)’, 2006 (Video).

.

.

.

Annabel Tilley, ‘Stinkhorn stands guard (Josef Fritzl’s family home, Amstetten, Austria)’, 2009 (ink, acrylic & coloured pencil on canvas, 55 x 75cm)

.

.

.

Kaori Homma, ‘Wilderness 5′, 2010 (fire, acid, water on paper, 460 x 535mm)

.

.

.

Marguerite Horner, ‘In the Middle of Nowhere’ 2010 (Oil on canvas, 50 x 50cm)

Hayley Lock, ‘To taste molten diamonds, mode 2′ 2010, (Digitally manipulated print, glass, glitter, sequins, 594mm x 841mm)

.

.

.

Tobias Feltus, ‘Heimisher Zirkus 10.18′, 2008 (35mm crossed processes negative)

.

.

.

Russell Joslin, ‘Caitlin Karolczak in her studio’, 2009 (Gelatin solver print, 11 x 14 in)

.

.

.

Caitlin Karolczak, ‘Insolently Shrieking’, 2008 (Oil on canvas, 36″ x 48″)

Rosalind Davis, ’26 Remain’, 2009/2010 (Oil and Embroidery on vintage scarf, 65x65cm)

.

.

.

Michaela Nettell, ‘Fedora’, 2009 (Single channel video installation)

.

.

.

Tereza Buskova, ‘The Wedding Flower’, 2008 (Screen Print 88 x 58cm)

.

.

.

Adam James, ‘HUG’, 2009 (Mixed Media, Life size statue)

.

.

.

Tintin Cooper, ‘Scrambled Portraits, Space Cowboy’, 2009/2010  (Photo collage, 50 cm x 50cm)

.

.

.

EMC Collard, ‘Zahnderzeitpasta Pi’, 2006 (Acrylic, Oil, Toothpaste and Flocking on Canvas, 260 x 220cm)

.

.

.

Usman Saeed, ‘Idol 8′, 2010 (Mixed media on photographic paper 10 x 8 inches)

Best wishes
Liv Pennington

Jo Longhurst, ‘The Refusal Part III no1′, 2007 (c-type photograph on aluminum 33″x40″)

.

.

.

Frederico Câmara, ‘Untitled, from An Ideal World series, 2009

.

.

.

Justin Coombes, ‘Don’t Look Now’, 2009 (Framed Archival Lightjet Print 40.98 x 56.25in)

.

.

.

Robin Friend, ‘ From the Belly of the Whale series’

.

.

.

Michele Horrigan, ‘Abandoned No3′, 2008 (Photograph 106 x 86cm)

.

.

.

Chris Boland, ‘Sled’ 2010 (Steel, leather, fibreglass, 160.150.150cm)

.

.

.

Stephen Neary, ‘I can’t spend my whole life avoiding double entendres’, 2010 (wood, cement, plaster, found materials)

.

.

.

Sarah Bolger, ‘Black Widow’ 2010 (domestic material, household utensils, baby shampoo, condom and found objects.)

Brendan Walker,’19991222T1838′ 2006 (coated lambda print on MDF, 120 x 120cm)

.

.

.

Ben Woodeson, ‘Health & Safety Violation Version # 14 – Randomly Activated Tripwire’ 2009 (Randomly activated tripwire mechanism and open source micro controller & software)

.

.

.

Simon Lewandowski,’THIS IS THE END’, 2007-9 (lightbulbs, wire, MDF, perspex, analogue timing assembly perpex. Dimensions variable)

.

.

.

Daniel Lehan, ‘Daniel Lehan est un imbecile’ 2009 (Acrylic paint on board, 17 x 20cm)

.

.

.

Charlie Fox, ‘Shards of Dis(Ur)Topia’, 2010

.

.

.

Andrew Cooper, ‘Ron Barret and Stewart being terrorised by the vile snake E. Con Money’, 2009 (Performance: Brixton Market)

New Artist Chain live on line on 9th June 2010.

Nepartism was accessible in the Exquisite Corpse exhibition, it was the situated in the entrance lobby with all exhibition text and artist bios.

Core Gallery Exquisite Corpse Exhibition

Nepartism review

I am constantly surprised by the chains, more good than bad.

The good

• that it is working & people want to join in
• introduction to new work & artists
• seeing things I haven’t seen before and maybe wouldn’t have found on my own.
• the site is generating 300 – 400 hits a month, I didn’t expect this but hoped it would happen.
• that Nepartism was shown in an exhibition (I hope to do it physically and not just virtually.)
• That there is momentum to do it for a year
• That Artists personal websites are getting referred to from NepArtism
• That blog links from other sites are giving the site viewers
• The fun had trying to analyze artists selection processes

The bad

• some people so slow to respond to deadlines
• that some people don’t reply at all

So overall, I need to be more explicit with deadlines, I need to see more of my colleagues, peers & friends work to allay any fear that I have that I don’t like enough work to program for a year.

I find it interesting that I feel that I might not know of enough work to promote. Most of this is more to do with not seeing enough and feeling a little isolated.

Personally Nepartism has worked  in generating links and networking possibilities, it has introduced me to people that I would want to work with in the future and made me think wider than my own artistic practice. It has shown work that I would love to have on my wall and may well do (when we finally get a home).

I hope that artists that have shown on the site gain lots of good stuff too.

The talk at Core Gallery was videoed and will be online soon at www.londonfestivalfringe.com

I will do the usual mail out As soon as the video is published I will update the above link.